Old Houses, Bach, and an Unfinished Marriage

"Crosswicks is a typical New England farmhouse, built sometime in the middle of the eighteenth century, so it is well over two-hundred years old. Its square central section has been added to haphazardly over the years, white clapboard somehow tying it all together, so that the house rambles pleasantly and crookedly. A dropped ball will roll right to the central chimneys, and the bookcases we've build in are masterpieces of non-alignment." Madeleine L'Engle, A Two-Part Invention: The Story of a Marriage

Madeleine might as well have been talking about our house. One of the oldest Denver proper houses built here, a farm that shrunk and squished until the the past fifty years, when new bungalows and cottages grew as the new farmland crop. Our bookcases lean slightly awaiting the carpentry that will fit them snugly into the next hundred years, I hope. No floor is level, no window the same. But we, like Madeleine, make a home here, fitting ourselves into a thing never finished.

Marriage, too, is a thing unfinished. Brimming with unresolved beauty, always coming round corners to find pleasant surprises, or more corners, but never finished.

I have never deluded myself into thinking marriage would bring all the resolve I longed for or the culmination of all joy. I have been the product of a broken marriage and understand the fragility of two sinners in close quarters till death them do part. Marriage has always been seen as another long walk hand in hand in the same direction, same as any other holy thing. But it is the constant unfinishedness of marriage that surprises me. The same conversations with small changes. We grow, we mature, we lean in to one another, we learn, but we are not there.

Someone says to cut myself some slack, we're only two months in, but how many months in is it before you feel the creaks and groans of an unsettled house cease? Ten? Twenty five? Seven hundred?

Madeleine writes of practicing piano: "I was working on...the Bach Two-Part Inventions. One is never through with the Two-Part Inventions; they are the essential practice needed for the Well-Tempered Clavier." And I understand her a bit better than I did when last I read her memoir. One is never through with the Two-Part Inventions, the marriage, the leaning in, and leaning toward. It is beautiful thing, but it is a thing unfinished.